Saturday, November 17, 2018

Writing tips from Janice Galloway

Me on the left, Santwana Karr in the middle, Janice Galloway on the right


I recently came across a series of quotes and writing advice I had written down from Scottish writer Janice Galloway. I went to a writer's retreat in Saanenmoser Switzerland a couple of years ago, and she was one of the guest writers that my friend Jason Donald had invited. She was an incredibly bubbly, feisty, hilarious and intelligent Scottish lady with a wicked sense of humour and a brutally honest approach to life and creativity.

Here some of her memorable quotes from her workshop.



The hard thing is having the confidence to write. The most lauded of writers haven’t had a writer’s lesson in their lives. 


Writing is all about the feeling. The spirit of the five senses (taste, smell, touch). Writing must always be sensory. 


If people are having too much fun with it, some others won’t.  ;)


Be as subtle as possible. If everything is on the surface,  it doesn’t work. But be clear. 


Show things as they are - never preach. It’s not about you.


If you don’t believe in the characters, no one else will. 


It’s not just about making stuff up. It needs a purpose.  


Make yourself vulnerable - and the reader will also feel vulnerable. 


Read what you’ve written aloud to yourself

Sunday, June 10, 2018

Five Weeks at The Melroses



I was thoroughly looking forward to this adaptation of Edward St Auburn's unforgettable series of books featuring his alter ego Patrick Melrose. Adapting from novels that deal with so much interior monologue and streams of consciousness onto screen is a hard thing to do. 

Not only did it not disappoint, but it exceeded my expectations.

Directed by Edward Berger and adapted by David Nicholls, the story follows Patrick Melrose, a man born into an aristocratic family, brutally tormented by the sexual abuse of his sadistic father and the neglect of his alcoholic mother. Each episode is a key chapter in Patrick’s life and all have such a different feel to it that they almost could belong to another series.

Bad News, 
in my opinion was one of the most beautiful things I ever saw. Patrick flies to New York to collect his father’s ashes, while under the influence of every drug you can think of. I love pretty much every scene, but in particular the one that I re-watch over and over is when Patrick, in a frenzy of paranoid schizophrenia, tries on different voices and characters in his hotel suite. It's a disturbing yet funny depiction of the debauchery of drug taking, the cinematography and last but not least Benedict Cumberbatch's insane acting talents skyrocketing in every direction on screen. Perfect in every way. 



"Life's not just a bag of shit but a leaky one. You can't help but be touched by it."


Never Mind, which deals with Patrick's childhood one fateful day in the south of France. The Melroses invite a few friends for dinner, while an 8 year old Patrick craves his mother’s attention while trying to avoid his father. 
David Melrose manages to be excessively scary in every scene. He terrifies his maids just by staring at them and burns ants alive with his cigar. What is not shown explicitly is the rape of his son. Though not much violence is shown in the episode, the filmmakers have created a successfully disturbing, suffocating cloistered atmosphere with silences almost too horrible to bear. 



David's best friend Nicolas Pratt is accompanied the young Bridget, a pot-smoking social climber who is entranced by the Melrose’s life at the house. Her infatuation with their lives bites her on the arse when David holds a knife to her leg at dinner. She attempts to leave with a friend, but he doesn’t come. 
“You see?” Eleanor slurs from her car. “It’s not as easy as you might think.”

"I'm writing a cheque for charity for Save The Children. Because it's important when you have so much, to give something back."

Some Hope follows Patrick sober but rudderless at 30, as he is invited to a party hosted by Bridget. She has married Sonny for his money and title and has dismissed her middle class mother from the dinner to entertain cruel Princess Margaret. 
It reminded me somewhat of Keeping Up Appearances, where an intolerable Hyacinth Bucket, tries at every opportunity to impress the upper class, but ends up making a fool of herself while trying to keep away her working class sisters and brother in law. She however continually makes a fuss over her other rich sister Violet, who is unhappily married to a cross-dresser. 

And this tragically parallels to Bridget’s unhappiness. Bridget’s failure of giving Sonny a male heir leads him to have an affair with a younger American socialite.

This episode is particularly notable for the scene in which Patrick finally tells Johnny about the sexual abuse he endured. A weight has been lifted and he is finally settle down with a family. 

"Everything is a miracle, man. It's a miracle we don't melt in the bath like a piece of soap."

Mother's Milk plunged Patrick into a new series of problems with the disinheritance from his mother, his struggles with raising his children right and a midlife crises which leads him to alcoholism, threatening to tear his family apart. It also deals with Eleanor's flirtation with assisted suicide. 

"What do I loathe, then? I loathe the poison dripping down from generation to generation, and I'd rather die than inflict the same thing on our children."

The final episode - At Last, brings a stunning conclusion to the saga, and Patrick to a painful, yet satisfactory road to recovery. 
It is Eleanor's funeral and Patrick is plagued with a whirlwind of emotions, as well as sinister people from his past.
It has the same powerful combination of heartbreaking and funny scenes as Bad News, with explosive, top of the range acting. There is a huge sense of forgiveness, as well as letting go of destructive tendencies and ghosts that plague our lives every day. The themes are quite relevant, the high rate of suicide amongst men and their struggle with opening up about their problems. 

 
                                     
"Nobody should do that to anyone else."


Cumberbatch has a child-like quality to his vulnerability. When he screams, he is scary, but when he weeps or tears up, he is so young and delicate, you just want to cuddle him. I thought I had seen him at his best in The Imitation Game, The Hollow Crown or even Third Star. But he actually managed to up his game in this series. 

His electrifying, magnetic performance in Bad News is the stuff of awards-winning. His mellowed, yet poignant presence and confession of his sexual abuse in Some Hope made us ache. In At Last, he confronts his demons head on, and we root even harder for him.

I've never seen something as special and rare as this series in a very long time. I did not want it to end. But, as demonstrated time and again, a thing is not beautiful if it lasts. 

Tuesday, March 27, 2018

Everyone Knows My Name (short story)

I was never so out of breath in my life. But when you are a murderer on the run, you’d better start getting used to it.
The clouds of red dust from where my feet ran siphoned into my lungs, and I coughed so much, I thought I was about to die. I gasped, desperate for air, clinging to wall of the bodega, my eyes stinging.

If the authorities didn’t kill me first, this red dust would.

I stumbled into the store, the doorbell ringing in the process. It was a rusty place, with paint peeling off the walls to reveal galaxies of colour and mould. The floor browned in the corners where the shelves full of spirits were.  
My throat hoarse, I asked the shopkeeper with difficulty if I could have some water.  He was a small, Mexican man with a weather-beaten face, wearing a white shirt. He obliged slowly, grabbing a water bottle from one of the mini fridges and handing it to me.

In an almost fanatical frenzy, I ripped off the cap and drained its contents in one go.

I slammed down the empty plastic bottle on the till and reached into my pocket for the change. It was then that I noticed a portable radio between two tequila bottles had been turned on loud. At that moment, the channel had segued its music into an important news flash.

Police are still on the lookout for Cornelius Christopher Evans, a thirty three year old African American man responsible for fatally shooting Sheriff Robert Nash and injuring Deputy Alistair Wade yesterday afternoon at 17:00. Reports coming in say that Nash suffered a fatal shot to the chest and that Deputy Wade attempted to shoot down the assassin when he drew his gun again and shot him once in the shoulder before taking off. Wade gave a brief statement from the hospital that this was not the first time Evans had been in trouble with the police and that he will give a full disclosure of the events tomorrow morning. Suspect is wearing a green plaid shirt, dark blue jeans and an earing in his left lobe. He is considered to be armed and extremely dangerous.”

My exhausted heart drilled once again in my chest.  I had no idea the media would become this relentless at finding a country boy such as myself in such a small southern town. Gulping slowly, I turned my head toward the Mexican shopkeeper. He was frozen in his place, looking awkwardly around for a few moments.
Finally, his shoulders relaxed and he gave me a look that suggested he was thinking the exact same thing as I.
How stupid was I to still be wearing the same clothing as the day of the murder?
He crouched down and searched under the till.  He reappeared with a pair of earth-stained overalls, giving me an irritated look when I hesitated in taking them.
In a flash, I took off my pants and shirt, revealing my grey tank top underneath, and clipped on the overalls.
“Take everything with you and burn them.” said the shopkeeper, handing me a box of matches.
I took the matches and slipped them in pocket. For a while we stared at each-other and we both knew. Despite him putting himself at risk by helping me, neither of us cared. I never knew his story, but he was, like me, a victim of an unjust system.
I nodded to my amigo in gratitude, left the bodega and trudged through the dirt roads. When I was further away enough I dropped my clothes to the floor, took out the box, lit the match and threw it.
As the flames engulfed and reduced my “killer clothes” to cinders, the disbelief and anger at my situation subsided into a cold, ironic realisation. Of course they would say that I meant to shoot Wade. It’s what he wanted in the first place. But with Nash, it was a different matter. His bullet was mine. But it was not my gun.



I boarded the bus to San Antonio, paying my fare with the last bit of loose change I had in my pocket. Once I sat down at a seat next to the dusty window, I thought about my options – none of which were pleasant.
I could beg in the streets for money. Doing it in dirt roads surrounded by deserts meant a death sentence, as well as surrendering to the police; they would shoot me on sight, sure as shit.

Perhaps I should tell you who I was before my life made a massive U-Turn.

The first thing you should know is that I am not a violent man. I was born in South Carolina and raised a small town by my mother until she died of cancer. The money she left over gave me a nice little house, but I had to make ends meet fast. I became a gardener for an elderly lady named Abigail Frances.  She loved petunias, was obsessed with game shows and spoke very little to people. It wasn’t what I wanted to do in life and I dreamed of being a chainsaw artist.

And for the strangest reason, it seemed to attract trouble. The day before I committed my crime, a young afro-haired woman named Daphne approached me while I took care of Mrs Frances’s weeds. She handed me a flyer and ran off without saying a word.  I took off my gloves and read the flyer.
I sighed and tossed it away, putting my gloves back on. I wanted no part in their political games. Daphne automatically thought that because I was a black man I would automatically come to her and her friends. Yes it was tragic what happened, yes it made me angry that the police had killed yet another unarmed teenager, but what could I do? I was just a gardener.
People were dying all over, not just teens and not just black people. A small rally in a small town was not going to change any of that.

I fell asleep against the window, dreaming of him, of his gun. The thick chrome of the revolver pointing straight at my head while I was down on the ground, the six bullets in place, and his twisted smile showing gold teeth. The sky went black, the air choked my lungs and Nash’s last ever words repeating over and over inside my head.
“Boy you planted a seed… you planted a seed that will grow into a deadly virus. And I aim to kill it ‘fore it grows.”

A gunshot deafened me and I woke with a jerk. The bus had hit a rock, waking others who were asleep.

Once I finally arrived at San Antonio, late in the evening, I went straight to the homeless shelter. The place was crowded, smelly and in dire need of new windows.
They gave me a microwaved cheeseburger, some clothing and a bed to rest in. The burger and the plastic cheese tasted like heaven on an empty stomach, despite me being fully aware it was past its sell-by date.  While eating, I fought back against the idea of stealing money, but the temptation to get my hands on it was overwhelming.
After I changed my clothes, I observed each and every one of the homeless, frantically wondering which one of them would turn me in.

I wasn’t being paranoid, on the contrary, I was stating the obvious. Because an hour later, the entire law enforcement burst into the homeless shelter, terrifying the wits out of the already jumpy residents.
I was already hiding in the bathroom when they came. Since I had grown quite thin in the last few days, I was able slide through the window atop the toilet. I grabbed at the grass as I crawled out of the tiny window. I ran like hell away from the shelter, making sure to keep my head down.

I didn’t even make it past the next street. I stopped dead as I heard the sound of at least fifty guns cock all at the same time. The police lights blinded my eyes, the shadows of the gunmen obscuring my vision.
“Cornelius Evans, you are under arrest." said a young man’s voice. “Put your hands over your head and get down on your knees!”
A young police detective, along with his partner, walked slowly towards me , their guns firmly in hand.

It was déja vu. Through these two men, all I saw were Wade and Nash, on the day of the murder. Nash with his eyes full of hate as he angrily walked over to me and Wade staying in the police car, shifting around nervously in his seat, knowing what Nash intended.
I was on my way to Mrs Frances house when he stopped me. He began ranting about the poisonous organisation I was in charge of:  the pro-black movement that repeatedly criticised the police. I told him repeatedly I wasn’t part of any of it, let alone in charge.
I never did know whether he had gotten the wrong information about who was in charge, or that he simply didn’t care. Whatever the reason, there was nothing to justify what he did next.
He took out his gun and hit me over the head and body several times, calling me every racial epithet in the dictionary. My breath was knocked right out of me and the pain rose in sharp bursts. Right after he made his seed speech, I grabbed the gun from his hand and we struggled. His hands gripped my wrists like a vice and twisted them. That was his biggest mistake.
In my fury at being attacked so violently without any kind of provocation, and given a death sentence, a tsunami of fear and hatred I never even knew existed spread over me. The split second the gun pointed at Nash’s heart (if he had one), I squeezed the trigger and a loud crack silenced the atmosphere.
He fell backwards to the ground. Struggling against my injuries, I got up slowly and stared at Nash. His uniform was already drenched with blood and his eyes were open, gazing dreamily at the sky.
Wade got out of his car, staggering at the sight of his partner. When he first looked at me, it was with naked loathing, followed shortly by an odd sense of understanding.

“I will not ask you again, Evans!” screamed the detective. “Get down on your knees with your hands up or we will shoot!”
I looked up at them all, and felt a sense of uneasy clarity. I finally understood what Daphne wanted me to do with my life. She wanted to me to make a difference, to stand for something bigger than me. Only now it was too late.

I smiled and relaxed my shoulders. I glanced over at the detective and thought of Wade. The way he looked at me full of sadness, his anger at the whole situation. He took the gun from his holster and pointed it to his shoulder. 
“If I let you go, boy, they will kill me. I’m already a bad seed in that nest of hornets ‘cause I don’t hate your kind.”
“Don’t do this, please.” I begged in vain.
The deputy shrugged and replied:
“I got a family. You don’t.”
He took a breath, a tired look in his eyes that made him age ten years.
“Believe me when I say, I’m am truly sorry for all of this.”
And he shot himself, giving me enough time to run for my life.  

Till now.

I looked all around the ring of policemen. A chopper was heard overhead, a crowd of people from the homeless shelter and a few passers by gathered behind the cars and barriers. They all whispered to each-other in fright, or anticipation.


 In a flash, I reached into the back of my baggy jeans to fetch my imaginary gun. They didn’t hold back. They filled my body with fifty-five bullets, sixteen of which were added posthumously, according to the pathologist later on.

Wade thought I was expendable because I had no family. Because I wasn’t famous or even well known in my small town.

Well, everyone knows my name now.

-

Cornelius Christopher Evans.  1985- 2018


Trip to Disneyland Paris

  The dream started off as a result of me watching an episode of Bad Sisters, an Irish series about a group of sisters plotting to kill thei...